Check out an excerpt from an Al Jazeera feature on Citizen’s Theatre, viewed across the Arabic speaking world.
Transformedia and South Sudan Theatre Organization worked with support from USAID VISTAS to establish Citizen’s Theatre – with the aim of creating a national network of theatre practioners across the country working for reconciliation and social justice.
CM: A lot of foreigners like me go on about reconciliation and this idea that South Sudan needs a ‘national dialogue’. I wonder what ‘national dialogue’ means to you, what it would look like and how theatre might play a role in that?
NL: This reconciliation we hear about here is reconciliation between the parties, the politicians and the policy makers, but it is not really a national dialogue. If you talk about national dialogue it is not just you there in high positions who need to have dialogue, about who needs to share this seat…whether we need to give that seat to that political party.. No. It is not about seats.
When we talk about dialogue we need to find the real roots of our problems. Like up to now the issue of South Sudanese identity hasn’t come up. What does it mean to be South Sudanese? And these things issues cannot be addressed up there. We need to start from the roots.
NL: The thing about national reconciliation is that during the six years implementation of the CPA from 2005 nobody talked about reconciliation. Reconciliation just came up as an issue for us – booom – after South Sudan gained independence and people started thinking we need to have this reconciliation.
Unfortunately there was some misunderstanding in the idea of reconciliation and in the run up to the 2013 December crisis, the reconciliation commission was probably part of the problem because it was headed at that time by the V-P, before he was released by the government.
Continue reading “Citizen’s Theatre Inter-School Festival – Interview with Nichola Lado Part II”
NL: Everyone can just say anything because it is not serious, because there is no agenda, because you do not invite them to come from their political party or because they are an elder from this or that group. They come as an audience, as a citizen of South Sudan.
CM: It seemed to me that the plays were more interested in inequality than ethnicity, is that just because I saw those particular plays or is the problem of ethnicity about resources more than about identity? Anything else about the themes that came up?
NL: Yes, this is because you didn’t see all the ten plays. The ten performances brought out most of the problems we face. This relates to identity, that is who we are. In the plays you can see some South Sudanese costumes – like the lowa – which is worn by every community in different ways but is known to come from the Chollo. So this kind of identity is confused, how do South Sudanese look? When I go outside (the country) for example, how do people know I am south Sudanese? This is a big issue. And the students discussed these things through the festival – really they discussed it.
The issue of corruption came up from two schools. This is one of the bigger things in South Sudan. And tribalism came from three teams.
Continue reading “Citizen’s Theatre Inter-School Festival: Interview with Nichola Lado Part III”