Forum Theatre for the Masses?

Forum theatre grips ‘spectactors’ by the emotional wrist and engages them directly and profoundly. But can it really contribute to wider social and political change that is the aim of cumulative conflict transformation efforts? Or is forum theatre fatally limited by its reach, perhaps involving just 200 or 300 people at a time?

Inspired by work such as the Reflecting on Peace Practice project and policy papers like Oxfam’s ‘Magic is in the Mix‘ as well as building on own lessons, we always try our best to integrate mass media into our forum theatre activities. The idea is to help bridge the theoretical ‘hope lines’ that exist between ‘individual change’ and ‘socio-political change’ and between ‘short term attitudinal change’ and longer term ‘pathways of change’.

There are loads of factors involved. But one small way in which we are trying to bring the benefits of forum theatre to wider audiences is with radio. For example, have a listen to this ‘Citizen’s Forum’ – a community forum theatre day organised as part of the Citizen’s Theatre program – from Aweil in Northern Bahr al Ghazal state in South Sudan.

The recording of community performances and discussion has been played on local radio in local languages. Listeners were able to witness the issues played out, hear the discussion and call in to contribute their own ideas.

It’s not rocket science and it won’t create the same direct engagement as physical forum theatre among participants and audience alike. But as an easy and low cost method of leveraging forum theatre to wider audiences, it feels worth the extra little effort

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Chris Milner

Chris is a conflict transformation specialist and producer with substantial political, research and creative experience with both communities at the grassroots and policy processes at the highest level.

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