NL: Everyone can just say anything because it is not serious, because there is no agenda, because you do not invite them to come from their political party or because they are an elder from this or that group. They come as an audience, as a citizen of South Sudan.
CM: It seemed to me that the plays were more interested in inequality than ethnicity, is that just because I saw those particular plays or is the problem of ethnicity about resources more than about identity? Anything else about the themes that came up?
NL: Yes, this is because you didn’t see all the ten plays. The ten performances brought out most of the problems we face. This relates to identity, that is who we are. In the plays you can see some South Sudanese costumes – like the lowa – which is worn by every community in different ways but is known to come from the Chollo. So this kind of identity is confused, how do South Sudanese look? When I go outside (the country) for example, how do people know I am south Sudanese? This is a big issue. And the students discussed these things through the festival – really they discussed it.
The issue of corruption came up from two schools. This is one of the bigger things in South Sudan. And tribalism came from three teams.